| AUTHOR/PLAY |
TYPE |
CHARACTERS |
| |
|
|
|
|
|
|
|
| RODNEY
ACKLAND |
|
|
|
| DANCE
WITH NO MUSIC |
|
|
|
| |
|
|
|
| JANET
ALLEN |
|
|
|
| KIND
COUSIN |
|
|
|
| THE
CROOKED ROAD |
|
|
|
| THE
HOT TIARA |
(T) |
3M |
4F |
| A
MOMENT IN TIME |
|
|
|
| THE
MAN OUTSIDE |
(T) |
3M |
3F |
| A
MOMENT OF THE (MURDER OF A LADY) |
|
|
|
| |
|
|
|
| ANTHONY
ARMSTRONG |
|
|
|
| ORDERS
ARE ORDERS |
|
|
|
| WHO
WANTS TO GET RICH |
|
|
|
| WITHOUT
WITNESS |
|
10M |
2F |
| SITTING
ON A FENCE |
|
7M |
5F |
| TEN
MINUTE ALIBI |
|
5M |
2F |
| MILE
AWAY MURDER |
|
9M |
2F |
| |
|
|
|
|
|
|
|
| MICHAEL
BARRINGER |
|
|
|
| INQUEST |
|
|
|
| |
|
|
|
| TREVOR
BAXTER |
|
|
|
| EDITH
GROVE |
|
|
|
| |
|
|
|
| S
M BEHRMAN |
|
|
|
| THE
SECOND MAN |
(C) |
2M |
2F |
| |
|
|
|
| REGINALD
BERKLEY |
|
|
|
| THE
LADY WITH A LAMP |
|
|
|
| |
|
|
|
| JOAO
BETHENCOURT |
|
|
|
| |
(C) |
5M |
2F |
| BRISS IN
NEW YORK |
|
|
|
| BONIFACIO |
|
|
|
| |
|
|
|
| GARY
BOLKHE |
|
|
|
| ECHOES |
(T) |
3M |
3F |
| DOUBLE
CROSS |
(T) |
5M |
2F |
| |
|
|
|
| C
H BROOKS |
|
|
|
| EMIL
AND THE DETECTIVES |
|
|
|
| |
|
|
|
| HINDI
BROOKS |
|
|
|
| |
(F/C) |
|
|
| THE
NIGHT THE WAR CAME HOME |
(D) |
3M |
3F |
| |
(D) |
3M |
2F |
| |
(to
play 11 characters) |
| FRIENDS |
(D) |
1M |
3F |
| SIMA |
(D) |
2M |
3F |
| (to
play 12 characters) |
| |
|
|
|
| STEWART
BURKE |
|
|
|
| |
(T) |
4M |
3F |
| |
|
4M |
4F |
| |
|
|
|
|
|
|
|
| JOHN
CHAPMAN |
|
|
|
| |
(F) |
6M |
8F |
| |
(F) |
5M |
5F |
| |
(F) |
6M |
4F |
| |
(F) |
11M |
1F |
| |
(C) |
6M |
7F |
| BEST
BEFORE |
(BC) |
5M |
4F |
| THE
BALCONY SCENE |
|
|
|
| KINDLY
LEAVE THE STAGE |
(C) |
3M |
5F |
| |
|
|
|
| JOHN
CHAPMAN |
|
|
|
 |
OH,
CLARENCE (Adapted from Blandings Castle and other Lord
Emsworth stories by PG Wodehouse) |
|
(C) |
8M |
3F |
| |
|
|
|
| JOHN
CHAPMAN & RAY COONEY |
|
|
|
| |
(F) |
4M |
4F |
| |
(F) |
5M |
6F |
| |
(F) |
4M |
5F |
| |
|
5M |
3F |
| |
|
|
|
| JOHN
CHAPMAN & IAN DAVIDSON |
|
|
|
| LATE
FLOWERING |
(C) |
4F |
1M |
| |
|
|
|
| JOHN
CHAPMAN & DAVE FREEMAN |
|
|
|
| |
(C) |
3M |
4F |
| |
|
|
|
| JOHN
CHAPMAN & JEREMY LLOYD |
|
|
|
| |
|
5M |
4F |
| CROOKS
TOUR |
|
|
|
| |
|
|
|
| |
|
|
|
| WIMBLEDON |
|
|
|
| |
|
|
|
| JOHN
CHAPMAN & ANTHONY MARRIOTT |
|
|
|
| ANYTHING
YOU SAY |
|
|
|
| |
(C) |
6M |
3F |
| |
|
|
|
| JOHN
CHAPMAN & MICHAEL PERTWEE |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| JOHN
CHAPMAN & PETER VINCENT |
|
|
|
| IT
TAKES AN ANGEL |
|
|
|
| |
|
|
|
| LOVE ON ALL
FLOORS |
|
|
|
| OLIVE
CHASE see STEWART BURKE |
|
|
|
| |
|
|
|
| PETER
COKE |
|
|
|
| |
(C) |
4M |
6F |
| IN
CONFIDENCE |
(C) |
1M |
1F |
| |
(C) |
2M |
7F |
| THE
TAXPAYERS' WALTZ |
(C) |
5M |
7F |
| |
(C) |
4M |
7F |
| |
(C) |
2M |
6F |
| |
(C) |
3M |
5F |
| THE
GENTLE GUARDSMAN |
|
|
|
| THE
GENTLE PERSUADERS |
|
|
|
| THE
MAN WHO WROTE IN BED |
|
|
|
| |
|
|
|
| |
|
|
|
| RAY
COONEY |
|
|
|
| |
(F) |
7M |
3F |
| |
(C) |
6M |
2F |
| |
|
|
|
| |
(C) |
5M |
5F |
| |
(C) |
6M |
4F |
| |
(C) |
7M |
4F |
| |
(C) |
6M |
2F |
| RAY
COONEY & TONY HILTON |
|
|
|
| |
(F) |
7M |
4F |
| |
(F) |
6M |
3F |
| |
|
|
|
| RAY
COONEY & GENE STONE |
|
|
|
| |
(C) |
3M |
2F |
| |
|
|
|
| RAY COONEY,
ARNE SULTAN & EARL BARRETT |
|
|
|
| |
(C) |
4M |
2F |
| WILLIAM
CORLETT |
|
|
|
| ANOTHER
ROUND (1 ACT) |
|
|
|
| RETURN
TICKET (W/C) |
|
3M |
3F |
| NATIONAL
TRUST |
|
|
|
| GATE
OF EDEN |
|
|
|
| RETURN
TO THE GATE |
|
|
|
| DARK
SIDE OF THE MOON |
|
|
|
| THE
ILLUSIONISTS |
|
|
|
| THE
SCALLOP SHELL |
|
|
|
| TINKERS
CURSE |
|
|
|
| WE
NEVER WENT TO CHEDDAR GORGE |
|
|
|
| THE
SCOURGING OF MATTHEW BARROW |
|
|
|
| |
|
|
|
|
|
|
|
| HAMILTON
DEAN & JOHN L BALDERSTONE |
|
|
|
| DRACULA |
(D) |
6M |
2F |
| |
|
|
|
| REGINALD
DENHAM: see EDWARD PERCY |
|
|
|
| |
|
|
|
| JOYCE
DENNYS |
|
|
|
| WOMEN
AT PEACE |
|
|
|
| AT
THE TURN OF THE TIDE |
|
|
|
| |
|
|
|
| WILLIAM
DICKIE & JOHN RAY |
|
|
|
| ONCE
MORE DARLING |
|
|
|
| ANNE DOWNIE |
|
|
|
THE YELLOW ON THE BROOM |
|
2M |
3F |
THE FEMALE OF THE SPECIES |
|
|
1F |
PARKING LOT IN PITTSBURGH |
|
2M |
6F |
THE WHITE BIRD PASSES |
|
2M |
6F |
THE WITCHES OF POLLOK |
|
|
|
WAITING ON ONE |
|
6M |
3F |
| |
|
|
|
|
|
|
|
| JEFFERSON
FARJEON |
|
|
|
| AFTER
DARK |
|
|
|
| THE
HIGHWAYMAN |
|
|
|
| |
|
|
|
| EDUARDO
DE FILIPPO: translated by CARLO
ARDITO |
|
|
|
| GRAND
MAGIC |
|
10M |
10F |
| LOCAL
AUTHORITY |
|
12M |
5F |
| FILUMENA
MARTURANO |
|
6M |
7F |
| |
|
|
|
| DAVE
FREEMAN |
|
|
|
| |
(C) |
4M |
3F |
| |
(C) |
4M |
3F |
| JOHN
CHAPMAN & DAVE FREEMAN |
|
|
|
| |
(C) |
3M |
4F |
| |
|
|
|
|
|
|
|
|
BILL GORDON & PETER VINCENT |
|
|
|
| |
|
|
|
| |
|
|
|
| RONALD
GOW |
|
|
|
| MA'S
BIT O'BRASS |
(C) |
8M |
5F |
| MY
LADY WEARS A WHITE COCKADE |
(C) |
2M |
2F |
| GALLOWS
GLORIOUS |
(D) |
18M |
5F |
| |
(C) |
3M |
3F |
| MR
RHODES |
(D) |
5M |
3F |
| THE
OLD JEST (from the novel by Jennifer Johnson) |
|
4M |
4F |
| THE
EDWARDIANS |
|
|
|
| THE
FRIENDSHIP OF MRS ECKLEY |
|
|
|
| |
|
|
|
| RONALD
GOW & WALTER GREENWOOD |
|
|
|
| LOVE
ON THE DOLE |
(D) |
7M |
7F |
| |
|
|
|
| JOHN GRAHAM |
|
|
|
| |
(C) |
5M |
4F |
| |
(F) |
5M |
5F |
| |
(C) |
4M |
3F |
| |
(C) |
3M |
4F |
| WHEN THE CATS
AWAY |
(C) |
4M |
3F |
|
|
(C) |
5M |
3F |
| |
(C) |
3M |
3F |
| PETER PAUL AND PAULA |
(F) |
3M |
3F |
| JOHN
GRAHAM & EDWARD TAYLOR |
|
|
|
| |
(F) |
4M |
5F |
| WALTER
GREENWOOD |
|
|
|
| SATURDAY
NIGHT AT THE CROWN |
(C) |
9M |
4F |
| |
(D) |
5M |
6F |
| |
|
|
|
| WALTER
GREENWOOD & RONALD GOW |
|
|
|
| LOVE
ON THE DOLE |
(D) |
7M |
7F |
|
|
|
|
| CHARLOTTE
HASTINGS |
|
|
|
| DOLPHINS
RAMPANT |
|
|
|
| THE
ENQUIRY |
|
|
|
| UNCERTAIN
JOY |
|
|
|
| |
(T) |
4M |
4F |
| THE
CAPTIVES |
|
|
|
| |
|
|
|
| ROBIN
HAWDON |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
|
|
| |
|
3M |
3F |
| |
|
|
|
| SHEILA
HAWKINS |
|
|
|
| THREE
MEN AND A GIRL |
|
|
|
| |
|
|
|
| KENNETH
HORNE |
|
|
|
| |
(C) |
3M |
2F |
| |
(C) |
3M |
7F |
| |
(C) |
4M |
4F |
| THE
DEVIL WAS SICK |
(C) |
4M |
4F |
| THE
GOOD YOUNG MAN |
|
4M |
4F |
| SLEEPING
PARTNERSHIP |
|
4M |
3F |
| TRIAL
AND ERROR |
|
|
|
| LOVE
IN A MIST |
|
3M |
3F |
| FOOLS
RUSH IN |
|
3M |
5F |
| WOLF'S
CLOTHING |
|
|
|
| A
LADY MISLED |
(C) |
3M |
4F |
| |
|
|
|
| RICHARD
HUGGETT |
|
|
|
| WEEKEND
WITH WILLIE |
|
|
|
| |
|
|
|
| N
C HUNTER |
|
|
|
| |
(C) |
6M |
4F |
| A
DAY BY THE SEA |
(C) |
6M |
4F |
| |
(LD) |
4M |
6F |
| ADAMS
APPLE |
(LD) |
8M |
3F |
| A
PICTURE OF AUTUMN |
(LD) |
6M |
4F |
| A
TOUCH OF THE SUN |
(LD) |
7M |
3F |
| THE
EXCURSION |
(LD) |
5M |
5F |
| THE
TULIP TREE |
(LD) |
6M |
3F |
| THE
ADVENTURES OF TOM RANDOM |
|
|
|
| |
|
|
|
|
|
|
|
| RICHARD
INGHAM |
|
|
|
| |
(C) |
3M |
2F |
| |
(F) |
3M |
3F |
| |
|
|
|
|
GLYN JONES |
|
|
|
| |
(BC) |
4M |
4F |
| |
(T) |
|
5F |
| BAY
RUM |
|
|
|
| EARLY
ONE MORNING |
|
|
|
| |
|
18M |
1F |
| HOW
DO YOU LIKE YOUR WAGNER? |
|
|
|
| |
|
|
5F |
| |
|
2M |
5F |
| |
|
2M |
3F |
| |
|
|
4F |
| |
|
4M |
3F |
| |
|
4M |
3F |
| |
|
|
|
| |
|
|
|
|
|
|
|
| JEREMY
KINGSTON |
|
|
|
| SIGNS
OF THE TIMES |
(C) |
|
|
| NO
CONCERN OF MINE |
|
|
|
| PUTTING
ON THE AGONY |
|
|
|
| SIGNS
OF THE TIMES |
|
|
|
| THE
BIG ROOM (from the novel by SID CHAPLIN) |
|
|
|
| |
|
|
|
|
|
|
|
| CARLA
LANE & JOHN CHAPMAN |
|
|
|
| |
(C) |
5M |
4F |
| |
|
|
|
| JEREMY
LLOYD & JOHN CHAPMAN |
|
|
|
| |
|
|
|
| |
|
|
|
|
|
|
|
| CECIL
MADDEN |
|
|
|
| INVESTIGATION |
(T) |
3M |
3F |
| LOOPHOLE |
|
|
|
| |
|
|
|
| ANTHONY
MELNIKOFF |
|
|
|
| |
|
4M |
2F |
| |
|
3M |
5F |
| |
|
3M |
4F |
| |
|
2M |
2F |
| |
|
|
|
| STEPHANIE
MILLER |
|
|
|
| DEAD
END |
(T) |
2M |
|
| DEAR
EDNA |
|
|
|
| |
|
|
|
| COLIN
MORRIS |
|
|
|
| RELUCTANT
HEROES |
(F) |
8M |
3F |
| |
|
|
|
| C
K MUNRO |
|
|
|
| STORM |
|
|
|
| AT
MRS BEAM'S |
(LD) |
4M |
7F |
| COCKS
AND HENS |
|
|
|
| THE
MOUNTAIN |
|
|
|
| THE
RUMOUR |
(LD) |
|
|
| |
|
|
|
| |
|
|
|
| CHARLES
NOLTE |
|
|
|
| DO
NOT PASS GO |
|
|
|
| |
|
|
|
|
|
|
|
| JAMES
PARISH |
|
|
|
| DISTINGUISHED
GATHERING |
(T) |
11M |
3F |
| MESSAGE
FOR MARGARET |
|
|
|
| CHEAPSIDE |
|
|
|
| |
|
|
|
| RAY
PARRY |
|
|
|
| A
NEST OF SCORPIONS |
|
|
|
| |
|
|
|
| S
A PAVOR |
|
|
|
| HALF-WAY
UP A TREE |
|
|
|
| |
|
|
|
| EDWARD
PERCY |
|
|
|
| THE
SHOP AT SLY CORNER |
(T) |
6M |
4F |
| SUSPECT |
(T) |
4M |
4F |
| THE
WIDOW OF HEARDINGAS |
1 ACT |
|
|
| WHITE
BLACKMAIL |
1 ACT |
|
|
| THREE
CORDS FOR A WIDOW |
|
|
|
| THE
LOVES OF PEGEEN |
1 ACT |
|
|
| THE
LAKE OF DARKNESS |
1 ACT (NB:
1 pig) |
2M |
2F |
| THE
DUKE OF LIMPARI |
1 ACT |
|
3M |
| DOCTOR
BRENT'S HOUSEHOLD |
|
3M |
5F |
| THE
WINTRY BOUGH |
|
13M |
5F |
| |
|
|
|
| EDWARD
PERCY with LILIAN DENHAM |
|
|
|
| THE
CLOUDED HOURS |
|
|
|
| FLOWERS
FOR A LADY |
|
|
|
| |
|
|
|
| EDWARD
PERCY with LILIAN PERCY |
|
|
|
| A
STRANGER IN THE TEA |
|
|
|
| THE
MAN WITH EXPENSIVE TASTES |
|
|
|
| |
|
|
|
| EDWARD
PERCY & REGINALD DENHAM |
|
|
|
| |
(T) |
1M |
6F |
| |
|
|
|
| DAVID
PERRY |
|
|
|
| |
(BC) |
2M |
2F |
| |
|
|
|
| LUIGI
PIRANDELLO: translated by EDWARD
STORER |
|
|
|
| HENRY
IV |
|
|
|
| RIGHT
YOU ARE |
|
|
|
| EACH
IN HIS OWN WAY |
|
|
|
| THE
PLEASURE OF HONESTY |
|
|
|
| NAKED |
|
|
|
| |
|
|
|
| JACK
POPPLEWELL |
|
|
|
| DARLING |
|
|
|
| NOT
BEFORE THE CHILDREN |
|
|
|
| |
|
|
|
|
|
|
|
| GLYN
ROBBINS (adaptations) |
|
|
|
| C
S LEWIS |
|
|
|
| |
(Ch) |
|
|
| |
(Ch) |
|
|
| THE LION,
THE WITCH AND THE WARDROBE |
(Ch) |
|
|
| THE HORSE
AND HIS BOY |
(Ch) |
|
|
| A
A MILNE |
|
|
|
| WINNIE
THE POOH |
(Ch) |
|
|
|
RL
STEVENSON
|
|
|
|
| TREASURE
ISLAND |
(Ch) |
|
|
|
JR
TOLKIEN
|
|
|
|
| THE HOBBIT |
(Ch) |
|
|
| |
|
|
|
| LAWRENCE
ROMAN |
|
|
|
| UNDER
THE YUM-YUM TREE |
(C) |
|
|
| P.S.
I LOVE YOU |
(C) |
|
|
| ALONE
TOGETHER |
(C) |
|
|
| |
(C) |
|
|
| TO
TELL THE TRUTH |
(C) |
|
|
| COULDA,
WOULDA, SHOULDA |
(C) |
|
|
| CRYSTAL,
CRYSTAL CHANDELIER |
(C) |
|
|
| BUYING
OUT |
(D) |
|
|
| EATON
or ON TRIAL: THOMAS JEFFERSON |
(HD) |
|
|
| CLOWNS
OF THE CENTURY |
(BC) |
|
|
| |
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|
|
| ANDREW
ROSENTHAL |
|
|
|
| A
SENSE OF GUILT |
|
5M |
3F |
| HORSES
IN MIDSTREAM |
|
2M |
4F |
| THIRD
PERSON |
|
3M |
3F |
| THE
ABSENT FRIENDS |
|
5M |
5F |
| |
|
|
|
| MICHAEL
RICHMOND |
|
|
|
| WILD
WILD WOMEN |
|
|
|
| |
|
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|
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|
|
| LEONARD
SAMSON |
|
|
|
| MEET
ME ON THE FENCE |
|
|
|
| THE
PUFFBALL |
|
|
|
| THE
WAITING GAME |
|
|
|
| COURT
CASE |
|
|
|
| THE
BIG NOISE |
|
|
|
| |
|
|
|
| ALAN
SEYMOUR |
|
|
|
| THE
SHATTERING |
(BC) |
6M |
3F |
| THE
ONE DAY OF THE YEAR |
1 ACT |
|
|
| |
|
|
|
| ROBERT
SHERWOOD |
|
|
|
| QUEENS
HUSBAND |
|
|
|
| |
|
|
|
| DODIE
SMITH |
|
|
|
| |
(C) |
5M |
12F |
| AUTUMN
CROCUS |
(C) |
4M |
8F |
| I
CAPTURE THE CASTLE |
(LC) |
|
|
| SERVICE |
|
|
|
| TOUCH
WOOD |
|
|
|
| CALL
IT A DAY |
|
|
|
| BONNET
OVER THE WINDMILL |
|
|
|
| LOVERS
AND FRIENDS |
(LC) |
2M |
4F |
| LETTER
FROM PARIS |
|
|
|
| THESE
PEOPLE: THOSE BOOKS |
|
|
|
| AMATEUR
MEANS LOVER |
|
|
|
| THE
HUNDRED AND ONE DALMATIANS |
(CH) |
|
|
| ESMERALDA
AND THE CLOTH |
(LC) |
4M |
6F |
| THAT
WHICH HATH BEEN |
(LD) |
3M |
1F |
| |
|
|
|
| GENE
STONE |
|
|
|
| SMALL
ADVENTURE |
(C) |
2M |
3F |
| THE
EXEC CLUB |
(C) |
4M |
2F |
| THE
POMEROY PLAN |
(CD) |
2M |
2F |
| WHY
NOT STAY FOR BREAKFAST |
(C) |
3M |
2F |
| JUST
ONE BIG HAPPY FAMILY |
(C) |
3M |
3F |
| WHO
WANTS TO GET RICH? |
(C) |
1M |
2F |
| JUST
ONE BIG HAPPY FAMILY |
(C) |
3M |
3F |
| LOWERED
EXPECTATIONS |
(C) |
3M |
3F |
| THE
WEEKEND SOLUTION |
(C) |
2M |
2F |
| COFFEE
SHOP (3 one act plays for 5 actors) |
(C) |
5M |
|
| |
|
|
|
EDWARD
STORER:
see LUIGI PIRANDELLO |
|
|
|
| |
|
|
|
| WARREN
CHETHAM STRODE |
|
|
|
| THE
STEPMOTHER |
|
|
|
| |
|
|
|
| ROBERT
STOREY |
|
|
|
| TOUCH
IT LIGHT |
(C) |
8M |
|
| |
|
|
|
| DAN
SUTHERLAND |
|
|
|
| THE
WOMAN I LOVE |
(C) |
6M |
2F |
| |
|
|
|
| CHRIS SYKES |
|
|
|
| |
|
2M |
1F |
| |
|
|
|
|
|
|
|
| EDWARD
TAYLOR |
|
|
|
| |
|
3 M |
3F |
| A
RISE IN THE MARKET |
(F) |
4M |
3F |
| |
(BC) |
3M |
1F |
| |
|
2M |
4F |
| |
|
|
|
| EDWARD
TAYLOR & JOHN GRAHAM |
|
|
|
| |
(F) |
4M |
5F |
| |
|
|
|
| JOHN TOBIAS |
|
|
|
|
|
(C) |
3M |
3F |
| |
|
|
|
|
|
|
|
| SUTTON
VANE |
|
|
|
| |
(LD) |
6M |
3F |
| OVERTURE |
|
|
|
| FALLING
LEAVES |
|
|
|
| REGATTA |
|
|
|
| |
|
|
|
| MARGUERITA
VEILLER |
|
|
|
| THE
TRIAL OF MARY DUGAN |
|
|
|
| |
|
|
|
|
|
|
|
| ROGER
WELDON |
|
|
|
| THE CRY OF WOLF |
(T) |
4M |
3F |
| FOLLOW THE LEADER |
(FC) |
5M |
3F |
| MY MOTHER WAS
AN ACTRESS |
(C) |
5M |
4F |
| ROOM FOR THREE |
(FC) |
4M |
3F |
| SAID THE SPIDER |
|
5M |
4F |
| THE LITTLE ROOM |
|
5M |
4F |
| A CHRISTMAS CAROL
Adaptation for stage of the Dickens classic |
|
4M |
5F |
| |
|
|
|
| FRANK
WILLIAMS |
|
|
|
| |
(T) |
6M |
2F |
| |
(D) |
2M |
2F |
| |
(D) |
4M |
|
| |
(D) |
4M |
4F |
| |
(T) |
3M |
2F |
| |
(T) |
4M |
2F |
| |
(T) |
5M |
3F |
| |
|
|
|
| JOHN
WILLIAMS |
|
|
|
| THE
CAT AND THE CANARY |
|
|
|
| |
|
|
|
| WOODROW
WYATT |
|
|
|
| HIGH
PROFILES |
(C) |
4M |
4F |